Few things compare to the feeling of being completely immersed in a great story. Since I was young, books have fueled my imagination, and illustration has become my way of revisiting those worlds. These pieces are inspired by some of the stories I return to again and again.

The Conference of the BirdsInspired by The Conference of the Birds, this piece depicts the Simurgh, the mythical bird at the center of Attar’s timeless tale. The poem’s themes of self-discovery, transformation, and the search for meaning have resonated with readers for centuries. I wanted to capture the unique interpretation of the mythical creature and the sense of wonder that lies at the heart of the journey.

IcarusInspired by the myth of Icarus, this illustration reimagines the story as a paper theater tableau. Suspended above the sea by visible strings, Icarus becomes both actor and puppet, caught between free will and fate. The looming sun behind him serves as both destination and threat, transforming the familiar tale of ambition into a reflection on control, desire, and the forces that shape our journeys.

The Veiled ManA train journey slowly turns into a surreal psychological nightmare as the narrator’s perception fractures under fear and obsessive thought. Ordinary moments in the carriage become charged with suspicion, blurring the line between reality and hallucination. The story ends in a disturbing, uncertain vision where it’s unclear whether violence occurred or was entirely imagined.

Baba YagaBaba Yaga is a figure from Slavic folklore, often depicted as a fearsome, witch-like being who lives deep in the forest. She is known for her strange hut that stands on chicken legs, which can turn and move to face or flee visitors. The house itself is often surrounded by an eerie, magical atmosphere, acting as both a barrier and a threshold between the human world and the unknown.